| How
to build affordable 1a concert guitar without sacrificing quality of sound?
The quality of a concert instrument
starts with the selection of woods. We decided the Andalucia and Concertista
models would be built with same master grade, aged German spruce that they use
in their top of the line instruments.
Although no compromises were made
in the quality of the craftsmanship, which is simply superb to make these
instruments affordable the following measures were taken:
1) The Concertista model has back
and sides made of Indian rosewood rather than Brazilian (which these days
requires CITES permits anyway). The Andalucia model uses master grade Spanish
cypress for the back and sides, but is made with a three piece back-- allowing
the use of narrower, more affordable cuts of wood.
2) Rather than adorn the guitar
with luthier's artistic touches: (elaborate mosaic rosettes, marquetry
herringbone and multi-line purflings and bindings, carved headstocks, etc) the
decoration used on these models are simple but elegant, The guitars are lacquer
rather than French polished.
3) Instead of using expensive
tuners, these models use more affordable but good quality machines by Gotoh.
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Concertista
Model
Compare
Pedro Maldonado Concertista
Model
played by
Gonzalo Andrés Molano
Not only is the craftsmanship of the Concertista model guitar superb, but it
possess all the qualities one expects in a true concert classical guitar: power,
color, and balance, as well as refinement and loveliness of tone.
Pedro Maldonado 1a Concert Classical
played by
Gonzalo Andrés Molano
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Pedro Maldonado working on the Concertista
model.
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This rosette is used in both Andalucia and
Concertista modelsThe labels
designate the model, and are signed, dated, and numbered.
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Luis Maldonado sanding the Andalucia
model.
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Andalucia
Concert Flamenco
Compare
Pedro Maldonado Andalucia Model
played by Gaetano
Pedro Maldonado's flamenco guitars are highly esteemed in flamenco circles. They
have all the qualities one would expect of a good flamenco guitar: power, burn,
snarl, firm crisp basses, brilliant vibrant trebles, but also refinement and
loveliness of tone. These qualities have led many leading flamenco artists to
use his guitars, including Vícente Amigo, Pepe Romero, Manuel Cano, Sergio
Lara, Diego Vargas, Strunz and Farah, and many more.
2004 Pedro Maldonado
Traditional Concert Flamenco played by Gaetano |
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Pedro Maldonado making the rosette.
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Both models use this
headstock, and Gotoh tuners. |
| Luis Maldonado working on the
back struts. |
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